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Jeder stirbt für sich allein
Jeder stirbt für sich allein
Jeder stirbt für sich allein
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Jeder stirbt für sich allein

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Jeder stirbt für sich allein basiert auf dem authentischen Fall des Ehepaars Otto und Elise Hampel, das 1940 bis 1942 in Berlin Postkarten-Flugblätter gegen Hitler ausgelegt hatte und denunziert worden war. Fallada schrieb den Roman Ende 1946 in knapp vier Wochen; am 5. Februar 1947 starb er. Der Roman gilt als das erste Buch eines deutschen nicht-emigrierten Schriftstellers über den Widerstand gegen den Nationalsozialismus.

Hans Fallada (1893-1947) war ein Künstler der Neue Sachlichkeit. Er orientiert sich an der Realität, auf die damalige Gesellschaft und auf deren Probleme ein, z. B. die Armut vieler Menschen. Die Voraussetzung dafür war ein kritischer Blick auf die damalige Gegenwart. Die Umgebung wurde nüchtern und realistisch dargestellt. Die soziale, politische und wirtschaftliche Wirklichkeit der Weimarer Republik, die Nachwirkungen des Ersten Weltkrieges und die Inflation waren beliebte Motive. Die Themen, die die Gesellschaft bewegten, fanden sich in der Literatur wieder.
SpracheDeutsch
Herausgebere-artnow
Erscheinungsdatum28. Feb. 2018
ISBN9788026884132
Jeder stirbt für sich allein
Autor

Hans Fallada

Hans Fallada, eigentlich Rudolf Wilhelm Friedrich Ditzen (* 21. Juli 1893 in Greifswald; † 5. Februar 1947 in Berlin) war ein deutscher Schriftsteller. Bereits mit dem ersten, 1920 veröffentlichten Roman Der junge Goedeschal verwendete Rudolf Ditzen das Pseudonym Hans Fallada. Es entstand in Anlehnung an zwei Märchen der Brüder Grimm. Der Vorname bezieht sich auf den Protagonisten von Hans im Glück und der Nachname auf das sprechende Pferd Falada aus Die Gänsemagd: Der abgeschlagene Kopf des Pferdes verkündet so lange die Wahrheit, bis die betrogene Prinzessin zu ihrem Recht kommt. Fallada wandte sich spätestens 1931 mit Bauern, Bonzen und Bomben gesellschaftskritischen Themen zu. Fortan prägten ein objektiv-nüchterner Stil, anschauliche Milieustudien und eine überzeugende Charakterzeichnung seine Werke. Der Welterfolg Kleiner Mann – was nun?, der vom sozialen Abstieg eines Angestellten am Ende der Weimarer Republik handelt, sowie die späteren Werke Wolf unter Wölfen, Jeder stirbt für sich allein und der postum erschienene Roman Der Trinker werden der sogenannten Neuen Sachlichkeit zugerechnet. (Wikipedia)

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Rezensionen für Jeder stirbt für sich allein

Bewertung: 4.2611859295302015 von 5 Sternen
4.5/5

894 Bewertungen71 Rezensionen

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  • Bewertung: 5 von 5 Sternen
    5/5
    This was a keep me reading all night book. The author does a really good job of keeping the tension at just the right level to keep you reading.
    As this is the fictional telling of real events you know that Otto and Anna will be caught and executed but you really want them to get away with it.
  • Bewertung: 5 von 5 Sternen
    5/5
    I loved this book. Fallada's portrayal of his characters as both pathetic and heroic gives them a three-dimensionality that makes it all seem so real, and it was. This book was inspired by real events. While reading this book, It was hard not to draw comparisons to the world today, and it made it so much more apparent how the Nazis managed to have so much power. It is a brilliant book, and I highly recommend it.
  • Bewertung: 4 von 5 Sternen
    4/5
    Full of gruelingly honest, complex feeling this book manages to surprise while seeming inevitable. A forgotten perspective on a thoroughly studied time(German civilians during WWII). Worth it for the prison room-mate.
  • Bewertung: 5 von 5 Sternen
    5/5
    A spellbinding and compelling novel about WWII Berlin. This story is rich in details of the Party, the resistance, the culture, and society. A very unassuming couple take on the Nazis by writing postcards with anti-Nazi information contained upon them. They then place them all around Berlin where they will be found. They eluded the authorities for three years before they were caught and finally executed. Even the afterword about the author's life and the real-life case this book was based upon was excellent. Counting the afterword and all the original documents (from the Nazi files) the book is at 600 pages.
  • Bewertung: 5 von 5 Sternen
    5/5
    If you have ever wondered what it was like to live in Nazi Germany, Fallada tries to show you in this novel. The fear & paranoia fly off every page. At times, I found it difficult to open the book to continue the story. Even those citizens who supported Hitler were so afraid of being accused of some wrong doing that they lived in fear too. A chance comment over heard by a neighbour could precipitate a visit from the police or worse, the Gestapo. Fallada live in Germany during the Hitler reign and spent the last years of the War imprisoned in a mental institution, a sentence that usually resulted in death. The novel is based on the true story of a German couple who had supported Hitler but changed that support when the wife's brother was killed in one of the early battles in France. They started to leave in public places post cards that contained anti Hitler comments. It took the authorities three years to catch and eventually execute them. Fallada tries to show that while their protest did nothing to change what the German government did, that by this small protest they rose above what was going on and they could never be accused of ignoring what went on.
  • Bewertung: 5 von 5 Sternen
    5/5
    This has got to be the best book I've read in months, at least. Certainly the best novel. I had been waiting for it for months (the library had only one copy and others were ahead of me), and it was worth it. I sat down and read the whole book in a single day.The premise is excellent -- a perfectly ordinary, working-class German couple carries on their own private campaign of resistance by dropping postcards with anti-Nazi messages. I knew this was going to be a great story. But even more impressive was the author's characterization. He has the ability to make the most minor characters seem real, and altogether human -- there are no heroes in this book, not even among the resisters. And the book has many characters and many storylines all going on at once, but Fallada never once seems to lose track of anything and all the plot threads are woven seamlessly together.The afterword tells of Fallada's life (basically one disaster after another) and of the real-life couple who inspired the book. It was a useful addition, but the story can stand on its own.All I can say is: WOW. I will definitely recommend this book to all my friends.
  • Bewertung: 5 von 5 Sternen
    5/5
    Hannah Arendt coined the term "the banality of evil" in her book Eichmann in Jerusalem about the trial of Adolf Eichmann, the architect of Nazi Germany's final solution. Arendt found Eichmann a very small man, engaged in what was basically accounting. He did not have a grand vision for the world, he was just doing a job, an everyday civil servant engaged in carrying out his orders, unconcerned with how immoral those orders were. "The banality of evil." In Every Man Dies Alone, Hans Fallada tells the stories of Eichmann's counterparts, a group of ordinary, working class people with no power, no grand vision, just a desire to do what is right in the face of overwhelming odds. "The banality of good."Every Man Dies Alone features an ensemble cast, most of whom live in the same building in wartime Berlin. At the center of the ensemble are the Quangels, a quiet, unassuming couple who have lived an unremarkable life. Otto Quangel is a carpenter, foreman at the furniture factory where he works while Anna runs the household. Neither is political, neither has resisted the Nazi movement, until they receive a letter from the army informing them that their only child has been killed.Soon Otto comes up with a plan. Every Sunday, for the next two years, the Quangels write out one, sometimes two, postcards with messages against the Nazis. Each card carries only one or two lines of script, all printed capital letters to avoid leaving a handwriting sample. Otto takes the cards to buildings around Berlin and leaves them where someone will find them, hoping that the messages on the cards will spread and more people will begin to resist the Nazis."The banality of good."Writing a postcard against the Nazis is an offense punishable by death. The local police and the Gestapo are immediately on the case, right from the very first postcard. Two things struck me about Hans Fallada's portrayal of wartime Berlin. The first was how petty it all was. The pro-Nazi family living below the Quangels is obsessed with the Jewish woman who lives on the top floor. They are determined to drive her from their building, not because they believe in anti-Semitism, though they certainly do, but because they are convinced she has quality bed linens and a radio, which they can steal from her apartment as soon as she is gone. The Nazis are little more than petty thugs, obsessed with their own position and their own personal wealth. They assign one police detective to do nothing but find out who is writing the postcards, as though they have the power to destroy everything.The second thing that struck me was how omnipresent the Nazis were; everyone was spying on everyone. Anyone you met could be the person who would turn you in for making a stray anti-government remark or for not being enthusiastic enough in your praise of the war effort or your donations to the Winter Relief Fund. As a result, the longer the Quangels get away with writing their postcards, the more isolated from the neighbors, friends and family they become. Everyone in the novel, everyone in Germany, lives in fear that someone will report them to the Gestapo. An act as simple, and as harmless as writing a postcard becomes a dangerous risk, punishable by death. That it makes for such suspenseful reading is a testament to its author.The history of Every Man Dies Alone is as interesting as the story it tells. Already a successful novelist, Hans Fallada did not flee Germany when the Nazis came to power. Believing his work was not political, and would not attract attention from the Nazis, he stayed in Germany. But his novel The World Outside was attacked for its sympathetic portrayal of convicts. Fallada spent the war supporting himself with light contemporary novels, short stories, children's stories, fictionalized autobiographies, anything he could find that avoided politics altogether. When forced to, he added a pro-Nazi ending to a film script he was commissioned to write for actor Emil Jennings. He ended the war in an asylum, a result of too much drink. After the war, Fallada was encouraged to write a novel about Otto and Elise Hampel by German author Johannes R. Becher who gave Fallada the Hempel's Gestapo file. Fallada based Every Man Dies Alone on the Hampel's story, and wrote the entire novel in two months time. He died before before it could be published.
  • Bewertung: 4 von 5 Sternen
    4/5
    Hans Fallada's dark novel about a working class couple's futile resistance against the Nazi regime is a nearly perfect picture of pessimistic existentialism. Almost everyone involved in the plot finds themselves struggling to achieve something of worth in a meaningless existence where only death offers an escape from the forces of fate that are beyond their control. Though the evil fascist state devours anyone against it, underlying the plot is the assurance that even the fanatical efforts to oppress all dissent are not enough to put off the day of reckoning which inevitably brings its demise. Despite its total control over its citizens and the zealous cruelty inflicted to assure its existence, the mighty Nazis are no less vulnerable to fate than the feeble Quangels and the rest of the characters in the novel.Despite the novel's length, it moved along at a crisp pace, shifting its focus around a realistic cast of characters that made it hard for me to put down. Fallada has much to teach about living in a totalitarian society where fear dominates the affairs of the people and affects every level of relationship. My one caveat in reccommending this book is the extreme profanity that, thankfully, occurs infrequently and adds nothing to the quality of the story.
  • Bewertung: 4 von 5 Sternen
    4/5
    Every Man Dies Alone (1947) is a gripping crime thriller set in Berlin, it is based on the true case of a married couple who committed acts of civil disobedience/resistance against the Nazis during WWII. The German author Hans Fallada (1893-1947) was held in an insane asylum during the war, and the novel can be seen as an indictment of German society as being insane. Those who do the right thing are insane or criminal, while the criminally insane run the state. In fascist Germany, the state (Fuhrer) thinks for everyone, the individual is secondary. This creates a situation where everyone is looking out for themselves, because everyone is guilty of some transgression and doesn't want to be revealed. Alienation and isolation divide society, "we all acted alone, we were caught alone, and every one of us will have to die alone." - but in the end Fallada offers a way out of the trap: "We live not for ourselves, but for others. What we make of ourselves we make not for ourselves, but for others..."The characters are fascinating because Fallada drew on his own direct experiences so we get more than 50 portraits, good and evil. It's authentic because Fallada lived through it. The bad guys are mostly criminal brutes, hardly the super-men embodiments of evil so often betrayed, just thugs corrupted by greed, drugs, sex and power. The depiction of working class life on the home front is illuminating. The literary qualities are excellent if not at times a bit old fashioned. Yet, given the time and place it was created, by a German for Germans right after the war, it's remarkably insightful and damning. Probably one reason Primo Levi once said of it "the greatest book about German resistance to the Nazis." Indeed it seems amazing Fallada wasn't killed by the Nazi's and was able to hide his true sentiments for so long. He died before seeing it in print though, completing it in a blistering 25 days. As Hans Fallada says in the novel, "Everyone facing death, especially premature death, will be kicking themselves for each wasted hour."Every Man Dies Alone is considered the first anti-Nazi novel after the war. On the French side, the first was The Forests of the Night (also published in 1947) by Jean-Louis Curtis. It contains acid portraits of French citizens in a small town who were apathetic about the Germans, played around at resisting, or even welcomed the occupiers. It's a similar novel from the same time period and won the Prix Goncourt - it has been out of print (in English) since 1951, an actual "lost" novel.
  • Bewertung: 4 von 5 Sternen
    4/5
    This is an amazing book, thoroughly engrossing. I'm not a fast reader, but I was more than 150 pages into it before the weekend was out. It's as if Dickens were writing in Nazi Germany: there's a light touch and a humor (albeit black humor) about it, even though the subject matter is relentlessly dark. It gives one a sharp sense of what it might have been like to have lived in Berlin in the 1940s. Not pretty -- but a few managed to hang on, desperately, to some humanity.
  • Bewertung: 5 von 5 Sternen
    5/5
    Otto and Anna Quangel, two mild-mannered Germans in Nazi Germany, decide to protest the Nazi's by surreptitiously placing postcards around Berlin. They hope to reach other people who disagree with the Nazi's and somehow lead to a general awakening of protest. The fear being sent to the concentration camps, or worse. Of course, the protest is completely ineffective.The book is moving and compelling. Its main strength is portrayal of the quiet desperation of people who have lost their country, and their sons. The characters are fully drawn and complete convincing. Even the Nazi party members and active supporters, who are portrayed as greedy and thuggish, are completely convincing as real people, not caricatures. The other highly compelling aspect of the book was that it made a realistic picture of what it is like to live in a totalitarian, police state, where even mild disagreement is viewed as dangerous or traitorous. Keep in mind, as you read the story, that it is based on a true case where a couple was sentenced and executed for the "crime" of distributing postcards critical of the government.In view of the historical treatment of Jews by the Nazi's with a virtual lack of protest from the German population, I was reading carefully to see if this would be addressed. For the most part, the Jews were not present in the book however, as they had already been sent to concentration camps. Rather, most characters in the book were in fear of being sent to concentration camps themselves. They was one scene I would view as being somewhat anti-Semitic: a Jewish woman, who is hounded to insanity and eventually to death, is portrayed as obsessing over her money and jewels at the end. (And, to be fair to the author, the protagonists are revealed to have quite a bit of money saved up at the end of the story, so perhaps the incident should not be interpreted as anti-semitism.) In any event, overall, the Jews are treated sympathetically by the book, and its protagonists.
  • Bewertung: 5 von 5 Sternen
    5/5
    This is a brilliant thriller and a truly great work of literature.  The atmosphere of fear and the casual brutality between characters is brilliantly evoked by the simple, non-flowery language the author uses. It is rare for a novel set in the Second World War to be set in Berlin before the final fall and the sheer courage of opposing Nazism at its height in 1940 comes across clearly through the very ordinary Quangels' carrying out of the ostensibly small act of resistance of leaving postcards for people to find. This is based on a true if not very well known case (the Hampels), and also reminds one of the better known White Rose students, executed for handing out anti-Nazi leaflets. The Quangels fail but their failure comes across as an act of redemption - they succeed in a sense through maintaining their sense of dignity and self-respect in the face of tyranny and insanity. In doing do, they draw strength from small, occasional acts of kindness from individual guards, doctors or chaplains to draw some hope. Powerful stuff. This should be much better known.
  • Bewertung: 4 von 5 Sternen
    4/5
    I was mesmerised by this book. I didn't have high expectations for a German book from 1947, but having come straight from the precious schmaltz of The Book Thief, Every Man Dies Alone was a fantastic experience. Nowhere before have I found such a credible description of what it must have been like to live as an ordinary German citizen under the Third Reich: the constant worry, the power abuse by the uniformed castes and the sense of inevitable doom. Since it was written in 1947, the Third Reich was stil in the veryrecent past. Seventy short chapters give this story a brisk pace, making this a true page-turner.Initially, I suspected that this was going to be an apologetic book, written by a contrite German a few years after WWII in order to ingratiate oneself with the Allied occupation forces. But as episodes from Fallada's own life make clear, he certainly had had great difficulties during the Nazi era, falling in and out of favour with people like Goebbels, and refusing their suggestions to add chapters to novels where the Nazis would appear as a deus ex machina for the German people. As a reader, you feel that the author has had brushes with Nazi authority and has been able to observe their methods closely. He is also an accomplished writer: characters are nicely fleshed out, and the plot is elegantly woven together by the vicissitudes of apparently isolated people. Though based on a true story, this is a work of fiction, that demonstrates how difficult it was to organise acts of resistance against the Nazis (and how easy to get caught and punished). The end notes mention Hannah Arendt's "Eichmann in Jerusalem" and its "Banality of Evil", comparing it the "banality of good" which is described in this book. Resistance doesn't always consist of great heroic acts.Spoiler & Final note: this book read like a screenplay. I think a big screen adaptation is long overdue (even though there is no happy end, since almost every character dies - alone).
  • Bewertung: 5 von 5 Sternen
    5/5
    At 500 pages, the new Michael Hoffman translation of the 1947 Hans Fallada novel, Every Man Dies Alone, is an indictment of war and all its inherent brutalities, but also of the individual ways we allow fear to rule our lives. The book has been called a thriller and, while it is indeed a fast moving page turner, “thriller” does not quite give justice to the intricacies of this novel.The story of the Quangels, an elderly couple intent on destroying Hitler’s regime of terror with a campaign of postcards dropped anonymously over a 2 year period around Berlin, is based on a true story. It is one story, one would assume among many, of the (failed) Nazi Resistance movement inside Germany during the second world war. Fallada’s rendering of the various characters, most of whom are based in one apartment block in the middle of the city, is masterful. Whether describing working class citizens trying to stay alive and out of trouble or members of the SS, an elite military unit of the Nazi party, or prisoners and their sadistic guards, Fallada has given us an extremely accessible peak inside the Third Reich and, indeed, a close study of humanity under pressure. It is not always a pretty picture but despite the atrocities, Fallada tries still to give his characters hope. Kudos to the publisher for raising the curtain on this never before translated novel.
  • Bewertung: 4 von 5 Sternen
    4/5
    Every Man Dies Alone is disturbing, engrossing, and powerful. Based on the real experiences of a married couple's resistance to the Nazis, it is an insightful story of love, standing up for one's beliefs, and the atrocities committed by power that is fed by fear.Enno and Anna Quangel are middle-aged, working-class Berliners whose son is killed in France. Together they launch a private war against the Führer, dropping anonymous postcards around Berlin in an attempt to expose the Nazis as insane bullies and destructive liars. As their campaign advances, their lives entwine with dozens of other Berliners' in unimaginable ways, some compassionate, some desperate, some despicable. Their commitment to resistance is tested again and again, but Anna and Otto demonstrate how vital to human being are integrity, honour, kindness, and courage.The novel evokes consistent tension in the reader; it also speaks with immediacy and an almost ultra-real level of detail. The action is relentless, unflinching. Readers may find the novel reminiscent of Marge Piercy's Gone to Soldiers (1987) in its entwining of various plots and of Ursula Hegi's Stones from the River (1994) in its look at the daily lives of Germans under Nazism, but it is stylistically distinct. The author uses some interesting technique in tense shifting to bring the reader into the moment of the action, and the diction is exquisitely managed to enrich character, setting, and situation (kudos to the translator!). This is a long novel — some 500 pages — but it moves extremely quickly and kept me consistently wanting to know what would happen next. The footnotes and afterword are nice touches. I was not familiar with some of the more obscure elements of Germany society under the Nazis, and greatly appreciated learning more about the author, Hans Fallada, whose work is new to me. This is a masterful novel, and learning that Fallada wrote it a matter of weeks makes it even more impressive.Anyone interested in the Second World War, social justice, or the psychology of fear should enjoy this novel, as should anyone who simply wants a compelling read. It is extremely well written and will leave a reader with much on which to reflect.
  • Bewertung: 4 von 5 Sternen
    4/5
    I knew nothing about Hans Fallada's work; downloaded 'Alone in Berlin' onto my Kindle simply because it came up on my Recommendations and the blurb looked interesting. It was a great decision, and I hope I can add my little bit to encouraging others to read this harrowing but absorbing and grittily realistic novel of wartime Germany.The book was originally published in 1947, not long after the events it describes and shortly before the author's death, but very surprisingly was not translated into English until 2009. It is set in and around Berlin, with the most outwardly mundane central characters - a factory foreman and his timid hausfrau wife - but it is their very ordinariness that throws into relief the brutality that surrounds them, and their quiet but determined courage in a city dominated by fear and suspicion; that, and the fact that their story is based on the actions of a real-life couple Otto and Elise Hampel, who from no political background embarked on a three year campaign of writing anti-Nazi postcards which they secretly placed in stairwells of public buildings around the city to be found and read by whoever might be passing. Their actions (prompted by the battlefield death of a family member) probably had little impact beyond enraging the Gestapo officers who were charged with finding and arresting them, but that does not make their heroism less - it emerges strongly in the novel, as does their humanity, much like that of the Frank family in the better-known journal of life undercover in the shadow of Nazism.Fallada's writing is rough-hewn and uneven, but I guess a more highly-polished treatment would have had less effect - sometimes you need to feel the splinters - and at times (especially in the prison cell scenes towards the end of the story) it is starkly magnificent. The book is not without a certain black humour, but its overall impact is chilling, its lessons salutary. Anyone who has ever wondered how ordinary German citizens could stand by in the midst of Hitler's atrocities will come to a better understanding by reading 'Alone in Berlin'. They might wonder, too, whether they would have the courage to resist, as few do here, or take abject refuge among the silent (or whispering)majority.
  • Bewertung: 5 von 5 Sternen
    5/5
    Alone in Berlin, takes place during the 2nd world war, with Germany firmly under the Nazi jackboot. Because of the constant fear of arrest by the Gestapo, with the threat of imprisonment, torture and death Berlin was a miasma of paranoia, fear and suspicion. In a world where a family member, neighbour or complete stranger can denounce you for a crime imagined or otherwise and even if you're not condemned to death, you'll find yourself classified an enemy of the state, ostracized and unable to find employment.Otto and Anna Quangel, are a working class couple, who were not interest in politics, and although they weren't members of the National Socialist German Worker's Party, they had tacitly supported Hitler, even voted for him.This was all to change - when one day a letter arrived, telling them their son had died a "hero's death for Führer and Fatherland". This shocks them out of their apathy and they start a campaign that explicitly questions Hitler and his regime, writing on postcards messages such as:"Mother! The Führer has murdered my son. Mother! The Führer will murder your sons too, he will not stop till he has brought sorrow to every home in the world."These cards were then left in the stairwells of apartment blocks, in locations all over Berlin, or dropped into post boxes. It wasn't long before they caught the attention of the Gestapo. This takes takes the form of inspector Escherich, who is mapping the position of every card with the aim of pinning down the "criminals". This being Nazi Germany, Escherich himself is constantly under pressure to get results or face the direst consequences: harried & abused by Obergruppenführer Prall, the inspector will try any trick - dirty or otherwise to catch the postcard writers.Although the postcards aren't really successful, because the population is so terrified that they hand them straight to the Gestapo, or destroy them, the cards offend the authorities and the case becomes serious and failure to solve it is not an option and it's just a matter of time before the Quangels become guests of the hellhole that is the Gestapo prison system and then it becomes a question of not will they survive, but how they die.Alone in Berlin was originally called Every Man Dies Alone and was based on the true story of Otto and Elise Hampel a working class couple from Berlin, who came up with the idea of leaving postcards around their city denouncing Hitler and his regime. They got away with it for about two years, but were eventually discovered, denounced, arrested, tried and executed - beheaded in Berlin's Plötzensee Prison in April 1943. Hans Fallada was given the Hampel's Gestapo files by Johannes Becher, a writer friend of Fallada's, who was president of the cultural organization established by the Soviet military administration in the Soviet sector, with the aim of creating a new anti-fascist culture.Sometimes you pick up a book that so engrosses you, that despite it's subject matter you cannot leave it alone. You know that there will be no traditional happy ending for Otto and Anna Quangel, that respect for humanity is not high on the Gestapo's list of priorities, that it is when and not if they are caught and then that they will face every form of torture from humiliation to being treated like a rag doll in the mouth of a rabid dog. None of this matters, or more accurately despite all of it, this book is beautiful, a quiet book of common decency, that reaches beyond the subject matter to reach a grandeur that, although of a tragic nature, still lights up bright enough to shine through the deepest of hellholes and to depict in letters large enough to be seen from the stars stating that despite all evidence to the contrary the human spirit and decency is never ever totally destroyed.
  • Bewertung: 5 von 5 Sternen
    5/5
    When I read the back cover of this book, I thought it was conventional crime thiller set in WW2 Berlin. How wrong I was, but it's all the better for that. Based on a true story which from the first few pages is clear will not end well. Written by someone who lived through the time its vivid detail and sense of place is fantastic. The plot itself is quite thin and it's no surprise to read in the afterword that Fallada initially rejected it as a subject for a book. What there is a range of characters of which only a few are that sympathetic, but always compelling. My only gripe would be that many of them are caricatures, which then detracts from their interaction.A definate must read, but not an easy read.
  • Bewertung: 5 von 5 Sternen
    5/5
    Hans Fallada was all but forgotten outside Germany when this 1947 novel, Alone in Berlin (US title: Every Man Dies Alone), was reissued in English in 2009, whereupon it became a best seller and reintroduced Hans Fallada's work to a new generation of readers.I came to this book having read More Lives Than One: A Biography of Hans Fallada by Jenny Williams, which was the perfect introduction into the literary world of Hans Fallada.Alone In Berlin really brings alive the day-to-day hell of life under the Nazis - and the ways in which people either compromised their integrity by accepting the regime, or, in some cases, resisted. The insights into life inside Nazi Germany are both fascinating and appalling. The venom of Nazism seeping into every aspect of society leaving no part of daily existence untouched or uncorrupted.Alone In Berlin is also a thriller, and the tension starts from the first page and mounts with each passing chapter. I can only echo the praise that has been heaped on this astonishingly good, rediscovered World War Two masterpiece. It's a truly great book: gripping, profound and essential.5/5
  • Bewertung: 5 von 5 Sternen
    5/5
    This German novel first published in 1947 was inspired by Otto and Elise Hampel who beginning in 1940 wrote 'postcards' decrying Hitler and urging resistance to him and then left the postcards where they hoped they would be fourd. In the novel Otto and Anna Quangel distribute cards saying anti-Nazi things after their son is killed in the invasion of France in 1940. This seems an ineffectual thing to do but it is all they think they can do. Most of the cards promptly come into the hands of the police and Gestapo who spend lots of effort trying to see who is distributing the cards. While this is going on the book is I thought tensely exciting, since if they are caught they will probably be killed. Clearly what they did was futile but their role is to show that there were Germans resisting the evil that had conquered Germany.
  • Bewertung: 4 von 5 Sternen
    4/5
    My second Fallada, this was not the grimly compelling freefall into darkness that The Drinker was, but a good read in its own right, offering an assortment of captivating characters trying (and sometimes failing) to hold onto their humanity as they make their way across the brutal landscape of Nazi Germany. It asks the question: is an act heroic even if ineffectual?
    "And don't you regret it? Aren't you sorry to lose your life over a stupid stunt like that?
    Quangel cast a sharp glare at the lawyer, his proud, old, tough bird-glare. "At least I stayed decent," he said. "I didn't participate."

    There is much to recommend this book...not least of all, the chilling portrayal of "Karlchen the dog."
  • Bewertung: 4 von 5 Sternen
    4/5
    Not quite in the great literature class that some have indicated, but a good read, an intriguing fictionalisation of an odd case of resistance against the Nazis. My main pleasure was in finding i could breeze through 650 pages in the original German, which indicates it has a clear style and story-line. The characters don't have much inner life, but are varied and believable, from the dour working man at the heart of the action to the virtuous innocent girl and the horse-betting lowlife who become unwittingly embroiled. Best scene of all is the detective's cat-and-mouse interrogation of the low-life; he uses no violence but violence is everywhere. There are strange non-sequiturs or non-credible at crucial points: the leftist cell-members sitting discussing their decisions in the middle of an all-Nazi event; the police boss disliking his subordinate's tactics so much that he throws him into the dungeons, while seeming unable to actually tell him what to do; the cultured music conductor living a fine life in a Nazi gaol simply because he can pay his way... and more like that. Some of this may be result of Fallada writing the whole thing in 24 days (itself nearly incredible).
  • Bewertung: 4 von 5 Sternen
    4/5
    I struggled with the start of this book - the style of the writing, the criminal and repulsive characters and I didn't want to carry on. However, after a week's break from it I found it picked up a lot particularly when it became just the husband and wife versus the policeman.It's also a horrifying book as it depicts the fear and paranoia of living under the Nazis and the seeming futility of their small resistance. That it was written by an author who lived through this makes it even more so. So although I struggled with the style a lot, I'm glad I read this as it feels like an important book about a topic that's rarely mentioned.
  • Bewertung: 5 von 5 Sternen
    5/5
    The many preceding reviews say it all really and I can't add much more, especially in relation to the story itself. Needless to say, this is first Fallada book I have read and I guarantee it won't be the last. A dark, atmospheric novel that is written in a way which creates a startling imagery of the harrowing treatment of the individuals who dared say anything against the State. Through most of the book, Otto Quangel (the so-called 'perpetrator' ) seems to be an almost invisible character who, like his actions, remains in the background ever so slightly whilst we are introduced to other characters of equal depth in their development. I raced through the last few chapters, carried along by the sheer emotion and dark anticipation (and general foreboding) of what would become of them. 5 stars from me for the story, character development, imagery (often harrowing it has to be said) and the sheer accessibility of Fallada's prose. Kudos must also go to the wonderful translation by Michael Hoffman.
  • Bewertung: 4 von 5 Sternen
    4/5
    After their son falls in the war, Otto and Anna Quangel begin their own tiny act of resistance. Over the course of years, they leave hundreds of anonymous handwritten postcards in public places all over Berlin. Unbeknownst to them, most of the cards fall into the hands of the Gestapo almost immediately, and one policeman is consumed by the need to discover who is behind the cards.This book was delicious in places, and unbearable in others. Slow to get off the ground, I staggered through the first half, but the second half was excellent and the ending was breathtaking. The characters were mostly unpleasant, but I found myself intrigued by their fate. The writing itself was lyrical, but I found it hard to love this book because I came so close to giving up on it early on. I’d recommend it, but be prepared to persevere with it to get to the good stuff towards the end.
  • Bewertung: 5 von 5 Sternen
    5/5
    It’s 1940 and Otto Quangel’s life revolves around his job as foreman at a Berlin furniture factory and his wife, Anna, whom he loves unequivocally. He’s a quiet, undemonstrative man, preferring his private ruminations to mindless chatter with those around him. Yet when they receive word that their son has been killed at the front and Anna, in her initial stage of grief, refers to “you and your Fuhrer,” Otto knows he must do something to show her how wrong she is. He is not even a Party member, which she knows; what can he do to assure her and the world of his hate for the Nazi Party that is turning the lives of all Germans into a private hell? He devises a plan and Anna enthusiastically joins him in it, even after he warns her that if they are caught they will probably be charged with treason and executed. Based on the true story of Otto and Elise Hampel, the tale that Fallada tells is the compelling story of that plan: its inception, its execution and its final outcome. The book gets to the heart of the struggle that the average German faced every day, from food shortages and ration cards, to terror of suspicion by the mighty Gestapo, no one was safe. He paints a chilling portrait of wartime Berlin as the Quangels carry out their plan. That the book is a riveting page turner goes without saying. But this reader found herself admiring the quiet courage showed by those German people who attempted to save their fellow citizens and the country they loved from the crazed military that had taken over their lives. Can a single citizen bring about change even as all citizens are living in mortal fear?Fallada, who refused to leave Germany at this time, demonstrates a fluid storytelling ability with a bleak irony. Certainly as in other wartime situations, your situation is improved if you know the right people, have an in. Consider this as the author describes how“Baldur Persicke, the most successful scion of the Persicke clan, had pulled all the strings he could....and in the end he had succeeded in having the whole rotten business discreetly set aside....so the Persicke honor remained unstained. While the Hergesells were being threatened with violence and capital punishment for a crime they hadn’t committed, Party member Persicke was forgiven for one he had.”The way in which Fallada is able to demonstrate the horror and brutality of the time with vignette’s about the lives of stunningly vivid characters makes you think you are on the streets of Berlin with them. And yet, it’s the love of a man and woman for each other and their country that makes this story so memorable. This harrowing saga should be at the top of your list of WWII literary accounts of life in Nazi Germany. Very highly recommended.
  • Bewertung: 5 von 5 Sternen
    5/5
    This amazing novel explores the many facets of the human spirit, amidst a collection of German citizens during the height of Gestapo paranoia in Berlin and its surrounding areas. The plot is rather intricate, but basically involves a mild-mannered older couple, Otto and Anna Quangel (he a carpenter/foreman and she his devoted but surprisingly strong wife), who after the death of their son during the war, quietly defy the Nazis by leaving resistance postcards at various locations throughout Berlin. The premise is based on a true story. The postcards are considered high treason punishable by death; and the novel follows various people in the administration (who go literally insane trying to capture the "Hobgoblin", i.e., postcard writer) and other German citizens who somehow cross paths with the Quangels. The heart of the book reminded me a lot of Eli Wiesel's explorations on how humans face oppression, fear and victimization so differently, especially during this time period. Although certainly very sad and depressing considering the time and subject matter, at the end there is actually a huge triumph of the human spirit. Absolutely nothing in this book plays out like I thought it would and in that way, it is full of interesting twists and surprises. I highly recommend this book for anyone interested in how German citizens were affected by the Gestapo during WWII. This novel really is a virtually unknown masterpiece (that would be a great academic choice, in so many ways) and hopefully, it will reach a much larger audience. I now want to read everything that Fallada has written - what a discovery!
  • Bewertung: 4 von 5 Sternen
    4/5
    This extraordinary novel was written in only 24 days by the author who survived Nazi Germany. It is loosely based on the story of Otto and Elise Kempel, a couple in Berlin who quietly dropped anti-Nazi postcards throughout the city at risk of their lives. In the novel, they become Otto and Anna Quangel. When their son is killed in the war, Otto and Anna realize they no longer believe in Hitler and feel they must act against him. Each postcard they drop could bring a death sentence. In my opinion, the book's strength lies not just in its portrayal of Otto and Anna, but in its ability to examine the psyche of many people, from the Jewish widow living upstairs to the SS officer investigating the postcards. As the novel progresses you are forced to see the many compromises and wrenching decisions people made during the dangerous times. The novel amazingly manages to combine a psychological examination with an action filled plot. I found the afterword about the author to be as interesting as the book itself; don't stop reading at the last page!
  • Bewertung: 4 von 5 Sternen
    4/5
    An elderly couple, whose son has died fighting, dares to compose anti-Hitler postcards and place them throughout Berlin. The times of distrust and everyone-out-for-themsleves is very obvious. Tension with neighbors and the struggle to survive in a world turned upside down is well played. Sometimes the writing is too dogmatic to be effective.
  • Bewertung: 5 von 5 Sternen
    5/5
    Based on a true story of a couple, Otto and Anna Quangel, who decide to protest what is happening in Hitler's Berlin during the war by writing seditious postcards and leaving them around the city. The plot involves a number of ordinary citizens who can be cruel due to fear but are also compassionate at times and try to carry on as best they can. The Third Reich under Hitler, as exemplified by the Gestapo and assorted party organizations, is shown as a ruthless regime, corrupt and often bumbling, and with few exceptions without compassion. It is a time of anxiety and despair with most citizens afraid of the consequences of not supporting the party and not telling on their neighbors at the least suspicion of incorrect behavior.This was a difficult read as the constant fear and oppression kept me wondering how a society evolves to accept being ruled by such tyranny. I think this question is partly answered by Hannah Arendt, a German Jew, who after the war raises the issue of the “banality of evil”, “whether evil is radical or simply a function of thoughtlessness, a tendency of ordinary people to obey orders and conform to mass opinion without a critical evaluation of the consequences of the actions and inaction.” As the first anti-Nazi novel coming out of Germany after the war and written by Fallada in 24 days after emerging from an insane asylum, it is truly an amazing work.

Buchvorschau

Jeder stirbt für sich allein - Hans Fallada

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