Gruselkabinett, Folge 48: Die Squaw

Geschrieben von Bram Stoker

Erzählt von Viktor Neumann, Reinhilt Schneider und Frank Gustavus

Amelia und George Price, ein junges Paar in den Flitterwochen, macht während seiner Reise durch das romantische Deutschland die Bekanntschaft von Elias P. Hutcheson, einem verwegenen Abenteurer aus Nebraska. Die Drei planen eine gemeinsame Besichtigung der Burg zu Nürnberg, in der die berühmte Eiserne Jungfrau, eines der grauenvollsten Folterwerkzeuge, das die Menschheit je ersonnen hat, ausgestellt wird

• Sprache: Deutsch
• Herausgeber: Titania Medien
• Erscheinungsdatum: 30. Jan. 2018

Bram Stoker

Bram Stoker (1847-1912) was an Irish novelist. Born in Dublin, Stoker suffered from an unknown illness as a young boy before entering school at the age of seven. He would later remark that the time he spent bedridden enabled him to cultivate his imagination, contributing to his later success as a writer. He attended Trinity College, Dublin from 1864, graduating with a BA before returning to obtain an MA in 1875. After university, he worked as a theatre critic, writing a positive review of acclaimed Victorian actor Henry Irving’s production of Hamlet that would spark a lifelong friendship and working relationship between them. In 1878, Stoker married Florence Balcombe before moving to London, where he would work for the next 27 years as business manager of Irving’s influential Lyceum Theatre. Between his work in London and travels abroad with Irving, Stoker befriended such artists as Oscar Wilde, Walt Whitman, Hall Caine, James Abbott McNeill Whistler, and Sir Arthur Conan Doyle. In 1895, having published several works of fiction and nonfiction, Stoker began writing his masterpiece Dracula (1897) while vacationing at the Kilmarnock Arms Hotel in Cruden Bay, Scotland. Stoker continued to write fiction for the rest of his life, achieving moderate success as a novelist. Known more for his association with London theatre during his life, his reputation as an artist has grown since his death, aided in part by film and television adaptations of Dracula, the enduring popularity of the horror genre, and abundant interest in his work from readers and scholars around the world.